![]() ![]() That’s why any improvements for easier, more precise selections are always welcome. Photoshop’s masking and selection tools are the workhorses of the program, because a high percentage of any creative session starts with drawing a good mask. Camera Raw 6 will not be available for anyone who is using earlier Creative Suite software than CS5. This means that you’ll no longer have conflicts and be forced to choose between the two. If your creative instincts lean toward filmlike texturing, the new FX tab in Camera RAW will add grain or vignetting.īy the way, Camera RAW 6 and Lightroom 3 are now better coordinated, since they both use the same RAW conversion. However, it wasn’t fully implemented in the beta version we tested, so our judgment has to be based on demonstrations by Adobe, which made it look quite good. It now has sliders for both Luminance and Color Noise. One of Photoshop CS5’s most important changes is in the new noise reduction algorithms in Camera RAW 6. While the shapes remain the same (for instance, the Clone tool icon is still a rubber stamp), they’re redrawn. The other noticeable (albeit trivial) change to the interface is that the appearance of many of the toolbox icons is different. ![]() And as before, if you need the full functionality of Bridge, just click on the BR icon, either within the Mini-Bridge palette or at the top of the screen. As with the full Bridge, you can choose different display options, depending upon what information you need or want: Thumbnails, As Filmstrip, Details, or List. Essentially, it’s a palette (or panel) within Photoshop that’s really a window onto Bridge, allowing full access to all your image files without having to leave Photoshop. The most significant workflow improvement to the interface is the introduction of Mini-Bridge. What’s more, if you make changes to any Workspace (such as Photography) and then switch to another (such as Painting), when you return to Photography, those changes will be retained. Instead, it is always immediately available at the top of the screen to the right of the Ribbon Bar. For instance, the revamped Workspace switcher is no longer buried in the Window drop-down menu. Photoshop CS5’s interface remains comfortably familiar, though slightly changed-and more efficient to use. Interface: Everything Is Where It Should Be. What sets Photoshop CS5 apart isn’t any one killer app but dozens of refinements that will make users’ lives easier, more efficient, and, potentially, more creative. Photoshop is a mature program that is already an indispensable component of everyday business for photographers and graphics professionals. ![]() Adobe Photoshop CS5, the latest version that’s sold both individually and as part of Adobe Creative Suite 5, falls between those two extremes ($699 for Standard stand-alone, $1299 for Creative Suite 5 Design Standard upgrade pricing available).We reviewed a beta. Whenever a new version of an important program comes out, the need for it, depending on the changes, can run the spectrum-from it’s-revolutionary, got-to-have-it-now to ho-hum, I-can-wait-for-the-next-revision.
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